AR Production

Here is the layout. AR production in Colombia runs through Unreal Engine, Unity and AR Foundation pipelines anchored by Limonero Films' fresh ideas arm in Bogotá and Universidad de los Andes' Centro Ático Lab, with creative concept work tied to the same magical-realism and pre-Columbian heritage references that drive Colombia's wider virtual-production output. Cartagena UNESCO Walled City heritage AR overlays. Castillo San Felipe siege reconstructions, Las Murallas colonial-era animations, Centro Histórico character-led tours — route through the Patrimonio Cultural forms that filmed-media commissions inside the covered core need.

Here is the breakdown. Pre-Columbian Quimbaya, Tairona and Muisca motif AR overlays for Museo del Oro, Museo del Oro Quimbaya in Armenia and the Ciudad Perdida trail sit alongside Wayuu and Kogi indigenous-consultation sign-off through the Ministerio del Interior. Encanto Casa Madrigal AR commercial work for Disney and brand-partner activations runs through Pixelio Animation Studios Medellín's Encanto-era talent stack.

Here is what that looks like on the ground. Ruta N Medellín fresh ideas collaborations supply AR developers and Unity / Unreal engineers, plugging into Limonero's VFX team and Centro Ático's research output to ship WebAR experiences easy to reach directly in browser, ARKit and ARCore native apps for iOS and Android, and Spark AR / Lens Studio social-sites filters for Instagram, Snapchat and TikTok.

Here is how the picture comes together. Photogrammetry capture for AR asset libraries runs through Limonero with Cinetech Bogotá camera support. Cartagena, Tayrona, Eje Cafetero and Andes-region 3D scans feed into the AR pipelines as location-based experiences. ARKit LiDAR scans of architectural interiors at the Catedral de Sal de Zipaquirá, Quinta de Bolívar and the Hacienda Nápoles ruins extend the location-AR roster, and qualifying spend routes through the CINA 40% cash refund and FFC 35% tax credit with Proimágenes Colombia records supporting the audit.