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SCENE 01 / DIGITAL CINEMA PACKAGE DCP

Digital Cinema Package (DCP)

Professional DCP creation ensuring flawless theatrical presentation and worldwide cinema distribution.

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Here is how this works in practice. A Digital Cinema Package is the standardized format for theatrical film distribution, containing encrypted video, audio, and subtitle data that cinema projectors read and display. DCP mastering needs precise tech specs for resolution, frame rate, color space, and audio channel setup to make sure proper playback.

Here is the short of it. We set up DCP creation with mastering facilities certified for digital cinema distribution. Our team manages the tech specs, encryption, and quality verification process to make sure your Digital Cinema Package plays flawlessly in theaters and meets the delivery standards needed by your distribution partners.

Capabilities

DCP Creation Excellence

We deliver the industry-standard format for theatrical exhibition, ensuring your film is presented with the highest quality in cinemas worldwide.

01

Cinema Quality

DCI-compliant packages for perfect projection in theaters worldwide.

Excellence

02

Secure Encryption

Content protection with professional KDM management.

Security

03

Global Standards

Compatible with all DCI-compliant cinema systems worldwide.

Universal

04

Verified Quality

Comprehensive testing and validation on cinema servers.

Reliability

DCP Services

    Technical Specifications

      Why Us

      Why Choose Our DCP Services

      01.

      100% Reliability

      Guaranteed playback in all DCI theaters.

      02.

      Fast Turnaround

      Quick delivery for urgent deadlines.

      03.

      Secure Handling

      Covered workflow and delivery.

      04.

      Festival Ready

      Experience with major festival needs.

      On Location

      DCP mastering for Colombian cinema chains and international festival circuits

      Here is the run-down. DCP mastering for Colombian theatrical release is produced at Toma Uno Bogotá through DCP-O-Matic and EasyDCP pipelines validated against the tech needs of the country's three major exhibition chains. Cine Colombia (the dominant operator with screens nationwide), Procinal (with strong regional coverage in secondary cities), and Caracol Cinemas. Each keeps its own preferences around audio channel mapping, trailer-versus-feature CPL structure, and KDM workflow, and we build SMPTE-compliant packages at 2K and 4K DCI resolution with Interop variants where legacy or independent-circuit projectors still need them.

      Here is how the picture comes together. Audio masters ship in 5.1 and 7.1 Dolby SR-D, with Dolby Atmos and Auro 11.1 immersive masters produced for prestige releases targeting the chains' top screens (Cine Colombia Top and Procinal IMAX equivalents). Subtitle deliveries cover neutral Spanish, Castilian (for Spanish co-productions), and English (for FICCI Cartagena global press screenings), authored in XML CineCanvas format.

      Here is what we have to work with. For festival submissions, FICCI Cartagena's March DCP specs — the most important Latin American festival for Colombian cinema — drives a parallel workflow. We produce unencrypted DCPs for festival ingest, with picture handles and trailer reels structured to FICCI's tech-check pattern, alongside encrypted KDM-managed versions scoped to each cinema certificate and exhibition window for the commercial theatrical release that mostly follows festival premiere.

      Here is the layout. Bogoshorts (December) and BAM Bogotá Audiovisual Market specs are likewise built into the workflow. Each package is validated on a reference cinema server before delivery, confirming load behaviour, audio routing, subtitle timing, and CPL integrity, with KDM generation handled through a tracked-key system so theatre managers across Cine Colombia, Procinal, and the heritage independents in Bogotá, Medellín, Cali, and Cartagena receive their keys without back-and-forth on certificate exchange.

      FAQ

      Frequently Asked Questions

      What is a DCP and why do I need one?

      Here is the breakdown. A Digital Cinema Package (DCP) is the industry-standard format for theatrical exhibition. If you want to show your film in commercial cinemas or submit to major film festivals, you need a DCP. It makes sure your content displays correctly on pro digital projection systems with proper image and sound quality.

      What's the difference between encrypted and unencrypted DCPs?

      Here is what that looks like on the ground. Encrypted DCPs need a KDM (Key Delivery Message) for each specific projector and time window, giving content protection for commercial releases. Unencrypted DCPs are mostly used for film festival submissions where security is less key and simplicity is preferred.

      How long does DCP creation take?

      Standard DCP creation mostly takes 1-3 business days based on the length and complexity of your project. We give rush services for urgent deadlines. Feature films need longer encoding times than shorts, and 4K DCPs take longer than 2K versions.

      Can you create multiple versions of my DCP?

      Yes, we often create many DCP versions including different audio configurations (5.1, 7.1, Atmos), subtitle options, language versions, and aspect ratios. We'll work with you to determine which versions you need for your distribution strategy.

      Productions in Colombia that need this often pair it with Archival & Preservation Services, Format Conversion & Encoding Services, and Broadcast Delivery Services for full coverage. Most projects also draw on Audio Mixing & Mastering and Video Editing Services.

      On Set

      Ready for Cinema Distribution?

      Let's create perfect DCPs for your theatrical release.