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Medellin Metrocable - filming location in Colombia

SCENE 01 / WIRELESS SYSTEMS

Wireless Systems

Complete wireless infrastructure for your Colombian production.

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Wireless communication and audio transmission systems keep production teams connected and audio signals flowing without physical cables. These systems encompass wireless intercoms, IFB feeds, audio hops, and comms networks that are vital for coordinating large crews across expansive sets or locations.

We provide wireless system packages configured for your production's specific communication and audio distribution needs. Our team coordinates frequency planning and equipment testing to ensure interference-free operation, allowing seamless crew communication and reliable audio transmission throughout your shoot.

Capabilities

Wireless Equipment

Audio, video, lens control, and RF management solutions.

Integrated Wireless Solutions

Capabilities

All
Wireless Types
Complete
RF Coordination
Colombia
Compliant
24/7
Support

Our Process

1

RF Survey

Scanning your locations to understand the RF environment and identify clean frequencies.

2

System Design

Designing an integrated wireless solution covering audio, video, and control needs.

3

Frequency Coordination

Allocating and documenting frequencies to ensure all systems operate without interference.

4

Production Support

Ongoing RF monitoring and support throughout your shoot.

On Location

ANE-compliant wireless infrastructure across the Colombian spectrum

Here is what we have to work with. Wireless system work in Colombia operates inside the channel plan the ANE (Agencia Nacional del Espectro) keeps alongside the CRC. This means a UK-imported wireless cart rarely lines up with the on-the-ground RF picture in a dense Bogotá centro or a Walled City Cartagena alley. Our inventory carries Wisycom MCR42 + MTP41S range receivers and transmitters, Lectrosonics SRc and DCHT digital chains, Shure Axient Digital ADX5D portable receivers with ADX1 bodypacks, and Sennheiser EW-DX where a budget tier is needed for B-unit comms.

Wireless audio sits alongside wireless video — Teradek Bolt 4K LT and MAX, Hollyland Mars 4K, Vaxis Storm 2000 — and lens-control rigs from Preston, ARRI WCU-4, and Tilta Nucleus-M, all set up against the same ANE allocation table by a single RF coordinator. Cinetech Bogotá, 5.1 Cine, and Reel Films hold the core wireless stock, with AndaluCine Medellín and Camara y Acción Cartagena supplying regional packages.

Every booking opens with an on-location RF scan against Colombian TV white-space — the post-DTT broadcast map in Bogotá and Medellín leaves narrow corridors that need documenting before camera hits set. FICCI Cartagena and Carnaval de Barranquilla create week-long blackout windows where neighbouring productions, ENG units, and event RF all compete in the same bands. IFB packages for global director and producer feeds run on Wisycom and Lectrosonics IFB rigs with antenna distribution sized to the location.

Aerocivil airspace coordination is part of the brief whenever drone audio sync or wireless video hand-off intersects with restricted zones. DIAN ATA carnet paperwork is handled in-house for inbound foreign wireless, ANE compliance records ships with the kit, and ACA-affiliated Colombian sound mixers and video engineers run the chain through the shoot week with backup transmitters, receivers, and antenna kits staged at the Cinetech Bogotá warehouse for emergency cross-rental.

FAQ

Frequently Asked Questions

What wireless systems do you coordinate?

We coordinate all production wireless systems including microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF equipment. Comprehensive coordination ensures all systems work together without interference.

How do you handle frequency allocation?

We scan your locations, identify clean frequencies within Colombian legal spectrum, and allocate channels to all departments. We provide frequency documentation and work with each department to program their equipment.

What about wireless video systems?

We supply Teradek Bolt, Vaxis Storm, and other wireless video systems for video village distribution. These provide zero-latency transmission allowing directors and clients to monitor without cables.

Do you provide wireless lens control?

Yes, we supply wireless follow focus systems including Preston FIZ, ARRI WCU-4, and Tilta Nucleus. We ensure lens control frequencies are coordinated with other wireless systems.

What about Colombian RF regulations?

We're familiar with Colombian frequency regulations and ensure all wireless equipment operates within legal spectrum. We can advise on registration requirements for high-power systems.

Can you support large-scale productions?

Yes, we regularly support productions with dozens of wireless channels across multiple departments. Complex productions benefit most from comprehensive RF coordination.

Productions in Colombia that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.

On Set

Need Wireless Solutions?

Tell us about your wireless requirements and we'll design the right system.