SCENE 01 / WIRELESS SYSTEMS
Wireless Systems
Complete wireless infrastructure for your Colombian production.
Here is how this works in practice. Wireless communication and audio transmission systems keep production teams connected and audio signals flowing without physical cables. These systems cover wireless intercoms, IFB feeds, audio hops, and comms networks that are key for setting up large crews across expansive sets or locations.
Here is the short of it. We give wireless system packages configured for your production's specific communication and audio distribution needs. Our team sets up frequency planning and gear testing to make sure interference-free operation, allowing seamless crew communication and reliable audio transmission across your shoot.
Capabilities
Wireless Equipment
Audio, video, lens control, and RF management solutions.
Integrated Wireless Solutions
Capabilities
Our Process
RF Survey
Scanning your locations to know the RF environment and identify clean frequencies.
System Design
Designing an integrated wireless solution covering audio, video, and control needs.
Frequency Coordination
Allocating and logging frequencies to make sure all systems operate without interference.
Production Support
Ongoing RF tracking and support across your shoot.
On Location
ANE-compliant wireless infrastructure across the Colombian spectrum
Here is what we have to work with. Wireless system work in Colombia operates inside the channel plan the ANE (Agencia Nacional del Espectro) keeps alongside the CRC. This means a UK-imported wireless cart rarely lines up with the on-the-ground RF picture in a dense Bogotá centro or a Walled City Cartagena alley. Our inventory carries Wisycom MCR42 + MTP41S range receivers and transmitters, Lectrosonics SRc and DCHT digital chains, Shure Axient Digital ADX5D portable receivers with ADX1 bodypacks, and Sennheiser EW-DX where a budget tier is needed for B-unit comms.
Here is the breakdown. Wireless audio sits alongside wireless video. Teradek Bolt 4K LT and MAX, Hollyland Mars 4K, Vaxis Storm 2000 — and lens-control rigs from Preston, ARRI WCU-4, and Tilta Nucleus-M, all set up against the same ANE allocation table by a single RF coordinator. Cinetech Bogotá, 5.1 Cine, and Reel Films hold the core wireless stock, with AndaluCine Medellín and Camara y Acción Cartagena supplying regional packages.
Here is what that looks like on the ground. Each booking opens with an on-location RF scan against Colombian TV white-space — the post-DTT broadcast map in Bogotá and Medellín leaves narrow corridors that need logging before camera hits set. FICCI Cartagena and Carnaval de Barranquilla create week-long blackout windows where neighbouring shoots, ENG units, and event RF all compete in the same bands. IFB packages for global director and producer feeds run on Wisycom and Lectrosonics IFB rigs with antenna distribution sized to the location.
Here is how the picture comes together. Aerocivil airspace planning is part of the brief whenever drone audio sync or wireless video hand-off intersects with off-limits zones. DIAN ATA carnet forms is handled in-house for inbound foreign wireless, ANE compliance records ships with the kit, and ACA-affiliated Colombian sound mixers and video engineers run the chain through the shoot week with backup transmitters, receivers, and antenna kits staged at the Cinetech Bogotá warehouse for emergency cross-rental.
FAQ
Frequently Asked Questions
What wireless systems do you coordinate?
We set up all production wireless systems including microphones, IFB/IEM, wireless video, lens control, intercom, and any other RF gear. Full planning makes sure all systems work together without interference.
How do you handle frequency allocation?
We scan your locations, identify clean frequencies within Colombian legal range, and allocate channels to all departments. We give frequency records and work with each department to program their gear.
What about wireless video systems?
We supply Teradek Bolt, Vaxis Storm, and other wireless video systems for video village distribution. These give zero-latency transmission allowing directors and clients to monitor without cables.
Do you provide wireless lens control?
Yes, we supply wireless follow focus systems including Preston FIZ, ARRI WCU-4, and Tilta Nucleus. We make sure lens control frequencies are set up with other wireless systems.
What about Colombian RF regulations?
We're familiar with Colombian frequency rules and make sure all wireless gear operates within legal range. We can advise on sign-ups needs for high-power systems.
Can you support large-scale productions?
Yes, we often support shoots with dozens of wireless channels across many departments. Complex shoots gain most from full RF planning.
Related Services
Productions in Colombia that need this often pair it with Wireless Microphone Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Solutions?
Tell us about your wireless requirements and we'll design the right system.