Wireless Video Systems

Here is how it adds up. Wireless video in Colombia has to absorb everything from a dense Walled City Cartagena alleyway — coral-stone walls eating signal at twenty metres — to a Pacific Chocó remote where the next receiver line-of-sight runs over canopy at 13,000mm annual rainfall. Our inventory carries Teradek Bolt 4K LT and MAX as the primary tier, with Bolt 4K MonitorModule for receiver flexibility, Hollyland Mars 4K for the budget B-unit, and Vaxis Storm 2000 where extended range matters on an exterior.

Link redundancy travels as standard with Pacific Chocó and Llanos remotes — two parallel Teradek pairs running diverse antenna paths, with a wired SDI fallback ready at the cart — and Calibrite-managed LUT round-tripping keeps the SmallHD Cine 7 and 1703 OLED references at video village matching the camera. Cinetech Bogotá and 5.1 Cine hold the core wireless video stock, with Reel Films staging multi-camera village builds and AndaluCine Medellín and Camara y Acción Cartagena covering regional packages.

Frequency coordination runs against the ANE (Agencia Nacional del Espectro) table and the post-DTT broadcast map, with urban scans documenting clean corridors in Bogotá centro, Medellín Poblado / Comuna 13, and the Cartagena Walled City before camera moves. Wireless video sits in the same coordination brief as wireless audio (Wisycom MCR42, Lectrosonics SRc, Shure Axient Digital ADX5D) and lens control (Preston FIZ, ARRI WCU-4, Tilta Nucleus-M), with the RF coordinator allocating channels against IFB, drone telemetry, and Aerocivil-restricted airspace overlaps.

FICCI Cartagena and Carnaval de Barranquilla weeks create scheduled blackouts that get re-coordinated in advance, DIAN ATA carnet paperwork covers inbound global wireless video, and ACA-trained Colombian video engineers run the chain alongside backup transmitters and antenna kits staged at Cinetech Bogotá for same-day emergency cross-rental.