SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Colombian production.
Here is how this works in practice. Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Pro cinema lenses give precise focus control, steady color rendering, and the optical traits that define a project's visual texture and depth.
Here is the short of it. We set up lens kit rentals matched to your cinematographer's preferences and your camera system's mount. Our team works with local rental houses to assemble complete lens packages, arranging prep time for testing and making sure backup options are ready if needed.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
Knowing your creative vision, camera format, and the look you want to achieve.
Lens Selection
Recommending lens packages based on your visual way, budget, and tech needs.
Prep & Testing
Complete lens prep including cleaning, testing, and matching with your camera system.
Production Support
Tech support, lens swaps, and extra glass ready across your shoot.
On Location
Cinema glass packages assembled through Cinetech, 5.1 Cine, and the Colombian rental network
Here is how it adds up. Lens kit rental in Colombia draws from Cinetech Bogota's prime and zoom inventory, 5.1 Cine's cinema package stock, and LaBu Films' shared camera-grip-lighting cage, with specialty glass cross-rented from Mexico City or Buenos Aires when a specific anamorphic set isn't on the ground in Bogota.
Here is what that looks like on the ground. Our team books Cooke S7/i and S4/i full sets, Angenieux Optimo 24-290 and 28-76 zooms, ARRI Signature Primes for Alexa 35 and Mini LF full-frame work, Zeiss Supreme Primes and Master Primes for the Super 35 custom, Atlas Orion anamorphics in the focal lengths that gave Mauricio Vidal the Monos look on Sony Venice, ARRI Master Anamorphics for the high-end commercial spots, and the vintage Cooke Speed Panchros plus rehoused Zeiss B-Speeds for the Embrace of the Serpent and Memoria anthropological aesthetic that David Gallego built his reputation on. Sets are tied to the camera mount on the booking. PL, LPL, or E — and shipped with lens data cables, focus motors, and cleaning kits sized to the production's location load.
Here is how the picture comes together. Climate is the defining variable on a Colombian lens prep. Pacific Choco fungal humidity, Caribbean coastal salt and dust at Cartagena and Santa Marta, and Sierra Nevada altitude condensation each demand different storage protocols, so packages leave Cinetech's cage with silica desiccant cassettes, Pelican 1620 hard cases with custom lens foam, and dedicated lens cleaning crews assigned to the unit. Pacific shoots in Bahia Solano and Nuqui — where the 13,000mm annual rainfall actively threatens optical coatings — get Aquatech rain housings and extra lens-port wipes per take.
Here is what we have to work with. La Guajira desert and Tatacoa desert shoots get fine-particulate brush kits and rocket blowers staged at the camera cart. Cross-rental routes are pre-mapped: if a Cooke 32mm goes soft on day five of a Cartagena schedule, the swap lands from Cinetech Bogota on the next Avianca flight to Rafael Nunez CTG, cleared through DIAN's standing carnet, with a focus puller verification before the camera package goes back to first unit.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Sets mostly have focal lengths from 18mm to 135mm, with wider and longer options ready.
Do you have large format lenses?
Here is the breakdown. Yes, we stock full-frame lenses including ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses give the coverage needed for large format sensors.
What anamorphic options are available?
We give anamorphic lenses including ARRI Master Anamorphic, Cooke Anamorphic/i, and many vintage anamorphic options. Anamorphics give the distinctive widescreen look and flare traits many shoots desire.
Can you provide zoom lenses?
Yes, we stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms are ready in both full-frame and Super 35 coverage for many applications.
Do you offer vintage lenses?
Yes, we have curated selections of vintage glass including rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that give unique character and softer rendering.
What lens accessories do you include?
Lens rentals have protective cases, front and rear caps, and lens data cables where applicable. We can also give follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in Colombia that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.