SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Colombian production.
Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Professional cinema lenses offer precise focus control, consistent color rendering, and the optical characteristics that define a project's visual texture and depth.
We coordinate lens kit rentals matched to your cinematographer's preferences and your camera system's mount. Our team works with local rental houses to assemble complete lens packages, arranging prep time for testing and ensuring backup options are available if needed.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
Understanding your creative vision, camera format, and the look you want to achieve.
Lens Selection
Recommending lens packages based on your visual approach, budget, and technical requirements.
Prep & Testing
Complete lens prep including cleaning, testing, and matching with your camera system.
Production Support
Technical support, lens swaps, and additional glass available throughout your shoot.
On Location
Cinema glass packages assembled through Cinetech, 5.1 Cine, and the Colombian rental network
Here is how it adds up. Lens kit rental in Colombia draws from Cinetech Bogota's prime and zoom inventory, 5.1 Cine's cinema package stock, and LaBu Films' shared camera-grip-lighting cage, with specialty glass cross-rented from Mexico City or Buenos Aires when a specific anamorphic set isn't on the ground in Bogota.
Our team books Cooke S7/i and S4/i full sets, Angenieux Optimo 24-290 and 28-76 zooms, ARRI Signature Primes for Alexa 35 and Mini LF full-frame work, Zeiss Supreme Primes and Master Primes for the Super 35 custom, Atlas Orion anamorphics in the focal lengths that gave Mauricio Vidal the Monos look on Sony Venice, ARRI Master Anamorphics for the high-end commercial spots, and the vintage Cooke Speed Panchros plus rehoused Zeiss B-Speeds for the Embrace of the Serpent and Memoria anthropological aesthetic that David Gallego built his reputation on. Sets are tied to the camera mount on the booking — PL, LPL, or E — and shipped with lens data cables, focus motors, and cleaning kits sized to the production's location load.
Climate is the defining variable on a Colombian lens prep. Pacific Choco fungal humidity, Caribbean coastal salt and dust at Cartagena and Santa Marta, and Sierra Nevada altitude condensation each demand different storage protocols, so packages leave Cinetech's cage with silica desiccant cassettes, Pelican 1620 hard cases with custom lens foam, and dedicated lens cleaning crews assigned to the unit. Pacific shoots in Bahia Solano and Nuqui — where the 13,000mm annual rainfall actively threatens optical coatings — get Aquatech rain housings and extra lens-port wipes per take.
La Guajira desert and Tatacoa desert shoots get fine-particulate brush kits and rocket blowers staged at the camera cart. Cross-rental routes are pre-mapped: if a Cooke 32mm goes soft on day five of a Cartagena schedule, the swap lands from Cinetech Bogota on the next Avianca flight to Rafael Nunez CTG, cleared through DIAN's standing carnet, with a focus puller verification before the camera package goes back to first unit.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Sets typically include focal lengths from 18mm to 135mm, with wider and longer options available.
Do you have large format lenses?
Yes, we stock full-frame lenses including ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses provide the coverage needed for large format sensors.
What anamorphic options are available?
We offer anamorphic lenses including ARRI Master Anamorphic, Cooke Anamorphic/i, and various vintage anamorphic options. Anamorphics provide the distinctive widescreen look and flare characteristics many productions desire.
Can you provide zoom lenses?
Yes, we stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms are available in both full-frame and Super 35 coverage for various applications.
Do you offer vintage lenses?
Yes, we have curated selections of vintage glass including rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that provide unique character and softer rendering.
What lens accessories do you include?
Lens rentals include protective cases, front and rear caps, and lens data cables where applicable. We can also provide follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in Colombia that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.