Lighting Technician Services
Professional film lighting across Bogotá, Medellín, Cartagena, and throughout Colombia.
A lighting technician sets up, operates, and maintains the lighting equipment used on a film or television production. They execute the gaffer's instructions, positioning fixtures, running power, and adjusting intensity and color temperature to achieve the desired look. From Cartagena's colonial architecture to Bogotá's high-altitude cityscapes and Medellín's lush mountain settings, precise lighting captures Colombia's extraordinary visual range.
We connect you with lighting technicians who bring both technical knowledge and creative sensitivity to productions of every scale. Our network spans Bogotá, Medellín, and Cartagena, with technicians experienced on Proimágenes Colombia-supported productions and international shoots across the country.
ACT 01
Capabilities
Lighting Expertise
We connect you with skilled lighting technicians who bring the DP's vision to life—handling everything from power distribution to creative fixture placement with safety and efficiency.
01
Lighting Equipment
- ARRI fixtures
- LED panels
- HMI lights
- Tungsten units
- Practical lighting
Full Inventory
02
Electrical Skills
- Power distribution
- Generator operation
- Load calculation
- Cable management
- Safety protocols
Electrical Mastery
03
Creative Lighting
- Mood creation
- Color control
- Diffusion techniques
- Rigging solutions
- Special effects
Creative Solutions
04
Technical Setup
- Pre-rig planning
- Fast deployment
- Fixture maintenance
- Troubleshooting
- Strike coordination
Efficient Execution
ACT 02
Why Us
Why Choose Our Lighting Technicians
01.
Experienced Crews
Lighting technicians with credits on Colombian features, telenovelas, and international productions leveraging Colombia's film incentives.
02.
Safety Certified
Fully trained in electrical safety and on-set protocols.
03.
Fast & Efficient
Quick setup times without compromising quality or safety.
04.
Local Network
Connections with Colombian rental houses and equipment suppliers across Bogotá, Medellín, and Cartagena's production hubs.
On Location
Lighting techs from Reel, LaBu, Cinetech, 5.1 Cine and AndaluCine rosters
Here is the breakdown. Our Colombian lighting-tech pool is drawn from the standing crews at Reel Films and Cinetech in Bogotá, LaBu Films, 5.1 Cine and AndaluCine in Medellín, and a roving Cartagena and Santa Marta bench that swings between feature, episodic and high-end commercial work. Sparks arrive ACA-registered with ARL workplace-insurance compliance under Ley 1562 and ICA tax codes already on file. This keeps onboarding clean for global productions running the Proimágenes Colombia rebate paperwork or the FILMA cash-rebate scheme.
The fixture inventory we light from is current: ARRI SkyPanel S60-C and S120-C across studio and location packages, Aputure 600d Pro and 1200d Pro daylight fixtures with Light Dome SE and lantern mods, Astera Titan and Helios Tubes with NyX bulbs for practicals, Litepanels Gemini 1x1 and 2x1 for soft-key and bounce work, Quasar Q-LED and Q-Crossfade tubes for handheld and rig work, and the full Aputure INFINIBAR and INFINIMAT family for cove and ceiling builds.
On the HMI and tungsten side we draw on ARRI M-Series M18, M40 and M90 units, Joker 800, 1600 and 2500 Bug-A-Beam packages for hard-key and through-window builds, and the Mole-Richardson 5K and 10K tungsten stock that still lives at RCN and Caracol's Bogotá telenovela stages — the same lighting custom that trained two generations of Colombian gaffers and best boys.
Wireless control runs over DMX-512 with Lumenradio CRMX and W-DMX bridges for live colour and intensity calls, fitted into iPad-driven cue stacks so the gaffer can run looks from beside the DP. Crews adapt to Bogotá's 2,640 m altitude HMI ballast derate, to Cartagena Walled City silent-zone genny rules, and to the humidity protocols Pacific Chocó and Amazon postings demand. We match lighting techs to brief on confirmed credits, with experience scaling from a two-light interview kit at Encanto-era commercial shops to a full feature electric department on a Proimágenes-backed slate.
ACT 03
FAQ
Frequently Asked Questions
What does a lighting technician do?
A lighting technician, also known as a spark or electrician, sets up, operates, and maintains lighting equipment on a film or television set. Working under the direction of the gaffer, they rig lights, run cables, control dimmers, and make adjustments throughout the shoot to achieve the cinematographer's desired lighting design.
What skills should a lighting technician have?
A lighting technician needs hands-on knowledge of electrical safety, a thorough understanding of lighting instruments and their properties, and the physical ability to rig and position heavy equipment. They must be detail-oriented, safety-conscious, and able to work efficiently under tight shooting schedules.
What types of productions need a lighting technician?
Any production that requires controlled lighting, from feature films and television series to commercials and corporate videos, needs lighting technicians. The number of technicians required scales with the production's size, the complexity of the lighting design, and the number of locations involved.
How do you match a lighting technician to my production?
We evaluate your lighting requirements, shooting schedule, and the scale of your production, then recommend technicians with appropriate experience. We consider their familiarity with the types of lighting instruments and rigging systems your project demands.
What equipment does a lighting technician work with?
Lighting technicians work with a wide range of instruments including tungsten, HMI, fluorescent, and LED fixtures, along with grip equipment such as flags, diffusion frames, and reflectors. They also handle electrical distribution equipment including generators, cable runs, and dimmer boards.
Related Services
Related Technical Roles
ACT 04 — On Set
Need a Lighting Technician?
Let's light your production.